Monday, 14 April 2014

Friday, 11 April 2014

Katherine L. Gordon -- Leaving the Dark of Winter and Finding Spring




























After a very long and difficult winter, Eramosa valley poet Katherine L. Gordon has just released a new chapbook and she has captured the bleakness that many of us experienced in what felt like a new ice age. A testament to surviving the Winter of 2014, Light Rescue, Verses for the Weather Weary (published by Melinda Cochrane International, ISBN 978-0-9936769-6-3) is one of several new poetry projects that Gordon, ever prolific, has been working on.


Many of the poems have a mid-winter theme, and the outlook is indeed grim ...


February Forgets

Yesterday was January’s
quiver of ice and snow,
today the last of winter’s months
February the Roman’s purifier,
mercifully short.
Storming in with more ice and snow
paying no heed to calendared hopes,
promising chocolate, blushing roses,
breaking your heart with icicle lies,
blasphemous blasts,
a rage of cold feet
with nowhere to March.


©2014 Katherine L. Gordon


Not one to leave the reader feeling despondent, Gordon offers up hope that the cruel season will finally come to a close ...


A Need Of Turbulence

Come turbulent March
blow winter away
hint us flowers and spices
from lands hot and fragrant
from the other side of orbit
turn us to a kinder sun
where bare arms can embrace
dark clouds dissipate
grasses beckon bare feet.
We and the tree live again
loose hair and budding leaves
understand each other.


©2014 Katherine L. Gordon


Poet Conrad DiDiodato has said of Katherine L. Gordon that “she’s poet of nature, language and love. But perhaps above all else, Katherine L. Gordon is the true guardian of a true Canadian poetry.” A summation that I easily concur with.



– Andreas Gripp


Wednesday, 9 April 2014

Linder and Deahl team up for "Two Paths Through The Seasons"

 


Two Paths Through The Seasons
by Norma West Linder & James Deahl

Cyclamens and Swords, 44 pages 
ISBN 978-965-7503-13-3

Veteran Sarnia, Ontario poets Norma West Linder and James Deahl have teamed up for a collection of poetry, Two Paths Through The Seasons, an aesthetically pleasing volume published by Helen Bar-Lev’s Cyclamens and Swords Publishing based in Metulla, Israel. 

The cover art, a watercolour by Linder (“Trilliums at Highland Glen”), is lovely and inviting and her poems make up the first half of the book, most serving as poignant memoir and/or descriptions of area woodlands and landscapes. There are also very nice tribute poems to Ella Fitzgerald and Irving Layton, but it’s the tributes to an era of her youth that piqued my interest the most – verses capturing the essence of a time that many of us can only visit through bygone films and music.

One of the highlights of the first section:


For Love Alone

Late in the afternoon
at the entrance to the mall
a frail old man
in a rumpled blue serge suit
tucks his violin
under his long white beard
and fills the August air
with haunting music from
Cavalleria Rusticana.

His instrument
almost a part of him
he plays for love alone
eyes closed against the crowd.

After a mystical hour
the old man stoops
picks up his case
tenderly encloses
his violin inside
and shuffles off
leaving a scattering
of silver coins
on the ground behind him.

He played for love alone.


©  2014 Norma West Linder


The longing for an earlier life is beautifully encapsulated in the closing lines of “Sad Bird of Youth,” where Linder writes, of a whippoorwill’s song”: “How could I know / it was calling to me / through a red sea / of time / through a timeless / red sea.”



James Deahl’s poetry has impressed me more and more over this past year as I’ve gone back and re-read his earlier books plus one of his latest offerings (“Rooms the Wind Makes” which I reviewed on this blog in February of 2013). Deahl is more than capable of rendering nature poems alongside tales of personal relationships and all flow in an unhindered, unified manner. His accounts of nature are unique and visit all of the reader’s senses. He avoids the clich├ęs most poets will scribe at one time or another, and in Two Paths Through The Seasons, his poems to his daughters and later, to his late wife Gilda, are void of the sentimentality you might expect. Take this stanza from “Full Moon in August”:

The sun sinks closing
the day, much as
my wife’s death closed
all the doors of the future.
Only this blinding heat lingers.
I lie in bed sleepless
as if awaiting the hour
God will unlock the white
honeycomb of His wisdom.
A dark wind walks
through the hidden forest.
This evening
even the full moon
wears its black mask.


His pacing is one of calm and confidence, the clarity of word never distracting or intrusive. The poems in this collection have all appeared in earlier volumes and publications over the past 35 years – so in a way it’s a mini “selected verse” – making me long for a full-length version of such.

The loss of what was is a theme that’s visited regularly in these poems, an example of which is below:


Rhondda
     for Beryl Weale

A desolation made by man.
Whole hillsides, valleys
swept clean – a beaten land
under the naked sky.

The mines have long
closed. Only scarred earth
and the unemployed remain.
Here and there a few sheep
starve on the weak grass
a bird scavenges for seed.

It is hard to understand
that once trees covered these hills,
once trout swam
these rivers. Although it is spring
a black autumn descends.

Blackness fills the lungs
of ex-miners. School children,
buried when the slag-tip moved,
are lice in the night of the earth.
And the lightless water
filling the abandoned shaft

is the voice of our bones
calling from a great distance,
from miles beneath our white skin.


© 2014 James Deahl


My only lament is that I wish I could write as well as Deahl – he’s truly in an elite class of poet – and I have no problem ranking him alongside Lorna Crozier as one of Canada’s very finest.

Two Paths Through The Seasons, being released just this April, is certainly well-timed in conjunction with National Poetry Month, and both Norma West Linder and James Deahl have contributed a memorable addition here in 2014.



– Andreas Gripp